“They nicknamed me ‘The Oomph Girl’, and I loathe that nickname! Just being known by a nickname indicates that you’re not thought of as a true actress. It’s just crap! If you call an actress by her looks or a reaction, then that’s all she’ll ever be thought of as.”
July 31st 2014   15 notes   - via / source


Happy 109th birthday Clara Bow! 29th July 1905.

I loved her. She was so generous, no snootiness or anything. She was wonderful to me.”
- Jean Arthur

"I felt Clara was just marvelous, and I loved her. I feel very sorry for her, terribly sorry for her personally. She had such a sad life."
- Colleen Moore

"I was introduced to Clara Bow. I think we just said ‘hello.’ She was a bit nervous and was seemingly in haste. She was there to act and perform and she wanted to get started. I remember she was very nice and not an ‘It’ Girl at all. She was very quiet and not talkative. She wore a pleated skirt with a big belt around her waist and was very graceful. I could tell how talented she was because she could use her face so well. Whenever she spoke, her eyebrows would go up. She was very small with lovely hair over her forehead and great big eyes. She seemed insecure about the talkies and found the whole thing overwhelming. I remember hearing her say, ‘It’s all so new to me.’ She was all alone there. She’d go into make-up alone and do it herself and she’d come on the set alone. She didn’t depend on anybody. I didn’t think the studio was supporting her. She was such a big star and I think she could have had a longer career if they had been more helpful. I was impressed with what a nice girl she really was."
- Marian Marsh

"On Screen she was bigger than anybody. But off the screen she disappeared like an over-exposed negative."
- Louise Brooks

“Clara Bow is the quintessence of what the term ‘flapper’ signifies as a definite description: pretty, impudent, superbly assured, as worldly-wise, briefly-clad and ‘hard-berled’ as possible. There were hundreds of them, her prototypes. Now, completing the circle, there are thousands more, patterning themselves after her. It is rather futile to analyse flappers. They are just girls, all sorts of girls, their one common trait being that they are young things with a splendid talent for living.”
- F. Scott Fitzgerald

"When she is on the screen nothing else matters. When she is off, the same is true".
- Photoplay

"Then we were doing the death scene—Josef von Sternberg was directing that. She was dying, and I was kneeling beside her, weeping. She was chewing gum. She had this great wad of gum in her face when they said, ‘All right, Clara, get the gum out. We’re going to shoot the scene.’ She took the gum out, put it back of her ear, and died. Well, that struck me as so funny, I howled, and they had to wait for me to stop laughing before I could cry again."
- Esther Ralston

"If ever a star was made by public demand, it was Clara Bow."
- Adela Rogers St. Johns

"When Bow was at her height in pictures we could make a story with her in it and gross a million and a half, where another actress would gross half a million in the same picture and with the same cast."
- David Selznick

"This girl was the real thing, someone to stir every pulse in the nation."
- F. Scott Fitzgerald.

"There was no rivalry whatever between us. She had her part and I had mine. But I feel very sorry because one night, I think it was the night we finished the picture, I was giving a big party at my house and I had to rush home. Her dressing room was right next door to mine, and she must have known that I was giving a big party. All the Hollywood people, directors and everybody, were coming. She was standing in her doorway, and she said, ‘You’re having a party, aren’t you, Esther?’ I said, ‘Yes. Oh, would you like to come, Clara?’ ‘No, no’ she said, ‘I know you don’t want me.’ I’ve never forgotten that."
- Esther Ralston

"… Clara Bow lingers in the eye, long after the picture has gone."
Variety, 1924

July 28th 2014   557 notes   - via


When they were in Indianapolis shooting To Please a Lady, Barbara’s business manager called her to ask what type of accommodation she would require. She told him she needed a bedroom and bath for herself, and the same for Harriet (her personal maid and friend), with a sitting room between. The business manager explained that Gable had requested that they stay in the best hotel in town, where blacks were not welcome. Barbara remained adamant. She wanted Harriet near her and requested that the business manager make the necessary arrangements. Later that day the director of the film, Clarence Brown, called Barbara to ensure her that Harriet would stay in the best “coloured” hotel in Indianapolis. The ever determined Barbara told him, “I’ll tell you what you can do to solve the whole thing. You make a reservation at the best coloured hotel in Indianapolis for two bedrooms and baths and a sitting room between, and that is where I’ll stay with Harriet. “Oh, Barbara, you can’t do that,” Brown protested. “The hell I can’t,” she said forcefully and hung up. As far as she was concerned the subject was closed. When they reached Indianapolis, she and Harriet both stayed at the best hotel in the city with Gable and the rest of the cast. 

July 27th 2014   358 notes   - via

working on a new theme please excuse the hideous colors and mess! thx <3

July 26th 2014   0 notes  

While filming their first film together, His Kind of Woman, Bob and Jane got along like old buddies.  From her stand-in and friend Carmen Cabeen, Russell was already well acquainted with some of Bob’s more depraved antics and she had prepared herself for his “shocking side,” but the fact that he was also so “intellectual, gentle, caring” came as a most pleasant surprise. She would rave about his astounding command of the English language—even as he would tell her she was the most inarticulate girl he knew.  He would tease her about her God-fearing ways, but he understood she was no Loretta Young, wallowing in piety.  He loved to tell the one about the pestering reporter who couldn’t believe a girl with her “image” read the Bible and went to church each Sunday.  “Hey Buddy,” she told him, “Christians have big breasts, too.”  She was good-natured, generous, strong-minded when she had to be, a stand-up guy.  Mitchum nicknamed her “Hard John.”  They became fast friends.  “I think she really adored Bob, loved him deeply, but without any hankypanky.  Because she’s a very straight girl. And he loved her.  It was just a marvelous combination,” commented Vincent Price.

Robert Mitchum said of Jane: “Jane Russell is an authentic original. She is pragmatic in her faith and fanatic in her loyalties. She disdains the weakness of vanity, and guards the truth with moral zeal. She tells it how it is.”

July 23rd 2014   304 notes   - via


“It was the fashion of the time, still is, to feel that all actors are neurotic, or they would not be actors.”

-Gene Tierney

July 22nd 2014   109 notes   - via / source


 ”Robert was sexy, dynamic, opinionated, extremely bright, witty, and stubborn as they come.  You either find that kind of man irresistible and exciting or you don’t understand him and can’t tolerate him for a moment.  And I’m no dainty violet either, in temperament or mouth. Believe me, I can be a bitch. So we deserved each other.” - Jane Russell answering the question of why she stayed in her often turbulent marriage to Robert Waterfield for as long as she did. They were married for 23 years, ending in a bitter divorce.  

July 21st 2014   6 notes   - via
"I used to whizz down Sunset Boulevard in my open Kissel, with several red Chow dogs to match my hair."

—Clara Bow (via oldhollywoodstorybook)
July 17th 2014   11 notes   - via


Happy Birthday Barbara Stanwyck!
(July 16, 1907-January 20, 1990)

When we were shooting Golden Boy, the stages were dingy, dirty, and poorly ventilated. And the film wasn’t as fast in those days as it is now which necessitated the use of more electrical equipment, which, in turn, created heat. So anyone working from 8:45 in the morning until 7:30 at night could find it to be an exhausting experience. But when we would wrap production, and the staff and the cast and the crew would head for fresh air and home, very often Barbara would say to me "Golden Boy, get your ass into that set dressing room because we’re going to run tomorrow’s work." For an extra half to three quarters of an hour we would rehearse. She wanted me to be good. So if anyone ever needed a term for courtesy and consideration, generosity, and above all, professionalism, they would only need two words. One: Barbara. And the other: Stanwyck.

-William Holden

July 16th 2014   774 notes   - via / source



"We are all very privileged people. The good lord gave us that much more - to walk ahead of somebody. And he showed us how to do it, and we did it. But we’re survivors. But we didn’t do it on our own, we didn’t do it on our own. The man upstairs was pushing me.”

July 15th 2014   531 notes   - via / source